|
View Edit Attributes History Attach Print |
| Main / Dots and Dashes | |
|
Read By The Author |
The Dots (a.k.a. Ellipsis) The ellipsis seen here: … , is commonly used to show an unheard ending. How you treat them depends on the situation.
Mary was ranting again. “If you don't get back here right now, I'll …”
I pushed the red button on my cell. I had enough of this.
How to narrate Mary: Continue her voice normally right up to the dots, then pause.
Mary was waving her arms around wildly, as she walked away. “I don't know why I put up with you. You are always telling me one thing and doing …”
How to narrate Mary: Lower the volume the last sentence smoothly near the end, so the last word before the dots is barely audible. Reducing volume is best done by using your voice to talk quieter. If the result isn't what you want, you can create a fade out during the editing phase. Don't let a fade out turn your reading into a dramatization. Avoid turning away from the mic (without reducing volume) to create a fade out. That will create a sound effect. Moving away from the mic lowers the sound level, but it also gives an effect of distance. It will be slightly jarring to the listener. The Dashes Dashes (—) are also inserted for various reasons. Look for patterns of usage, and build them into the structure of the reading. Here are some examples:
"Get out, or else—!"
He tried to remember if Bill was home—he could ask him tomorrow — when the fire started.
She didn't think Tom wanted to go—he never wanted to go.
The sweat was in her eyes. “I had to run—He was waiting for me—I shot at him but missed.” She dropped her chin and breathed heavily.
Note on dashes: There are actually three characters:
|
|
↑ Top
View
Edit
Attributes
History
Attach
Print
This page was last modified on August 28, 2008, at 02:09 PM |
|